{"id":7362,"date":"2025-06-15T10:08:42","date_gmt":"2025-06-15T14:08:42","guid":{"rendered":"https:\/\/baselines.com\/?p=7362"},"modified":"2025-06-16T16:48:11","modified_gmt":"2025-06-16T20:48:11","slug":"rikki","status":"publish","type":"post","link":"https:\/\/baselines.com\/?p=7362","title":{"rendered":"Rikki"},"content":{"rendered":"\n<p>This is my version of the old Steely Dan song &#8216;Rikki Don&#8217;t Lose That Number&#8217;.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/vBtK1JeUJxE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.baselines.com\/wp-content\/uploads\/all-songs\/mp3\/Rikki_Dont_Lose_That_Number_2025.mp3\"><\/audio><\/figure>\n\n\n\n<p>&#8220;<strong>Rikki Don&#8217;t Lose That Number<\/strong>&#8221; is a single released in 1974 by the American&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Rock_music\" target=\"_blank\" rel=\"noopener\">rock<\/a>&nbsp;band&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Steely_Dan\" target=\"_blank\" rel=\"noopener\">Steely Dan<\/a>&nbsp;and the opening track of their third album&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Pretzel_Logic\" target=\"_blank\" rel=\"noopener\">Pretzel Logic<\/a><\/em>. It was the most successful single of the group&#8217;s career, peaking at number 4 on the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_Hot_100\" target=\"_blank\" rel=\"noopener\"><em>Billboard<\/em>&nbsp;Hot 100<\/a>&nbsp;in the summer of 1974.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-3\" target=\"_blank\" rel=\"noopener\">[3]<\/a><\/sup><\/p>\n\n\n\n<p>The song features&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Jim_Gordon_(musician)\" target=\"_blank\" rel=\"noopener\">Jim Gordon<\/a>&nbsp;on drums, as does the bulk of the&nbsp;<em>Pretzel Logic<\/em>&nbsp;album. The guitar solo is by&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Jeff_Baxter\" target=\"_blank\" rel=\"noopener\">Jeff &#8220;Skunk&#8221; Baxter<\/a>&nbsp;who soon after joined&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Doobie_Brothers\" target=\"_blank\" rel=\"noopener\">The Doobie Brothers<\/a>.<\/p>\n\n\n\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Victor_Feldman\" target=\"_blank\" rel=\"noopener\">Victor Feldman<\/a>&#8216;s&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba\" target=\"_blank\" rel=\"noopener\">flapamba<\/a>&nbsp;introduction to the song, which opens the album, is cut from the original&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ABC_Records\" target=\"_blank\" rel=\"noopener\">ABC<\/a>&nbsp;single version.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-4\" target=\"_blank\" rel=\"noopener\">[4]<\/a><\/sup>&nbsp;The&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/MCA_Records\" target=\"_blank\" rel=\"noopener\">MCA<\/a>&nbsp;single reissue (backed with &#8220;Pretzel Logic&#8221;) includes the flapamba intro but fades out just before the actual end of the track. The introductory riff is an almost direct copy of the intro of&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Horace_Silver\" target=\"_blank\" rel=\"noopener\">Horace Silver<\/a>&#8216;s jazz classic &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Song_for_My_Father_(composition)\" target=\"_blank\" rel=\"noopener\">Song for My Father<\/a>&#8220;.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-5\" target=\"_blank\" rel=\"noopener\">[5]<\/a><\/sup><sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-6\" target=\"_blank\" rel=\"noopener\">[6]<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Appraisal\">Appraisal<\/h2>\n\n\n\n<p>Reviewing the single for&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/AllMusic\" target=\"_blank\" rel=\"noopener\">AllMusic<\/a>, Stewart Mason said:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Just to clear up a generation&#8217;s worth of rumors about the lyrics of &#8220;Rikki Don&#8217;t Lose That Number,&#8221; Walter Becker stated for the record in a 1985 interview in the pages of&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Musician_(magazine)\" target=\"_blank\" rel=\"noopener\">Musician<\/a><\/em>&nbsp;that the &#8220;number&#8221; in question was not slang for a marijuana cigarette (&#8220;send it off in a letter to yourself,&#8221; supposedly a way to safely transport one&#8217;s dope back before the post office abolished&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/General_delivery\" target=\"_blank\" rel=\"noopener\">general delivery<\/a>&nbsp;mail,<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-8\" target=\"_blank\" rel=\"noopener\">[a]<\/a><\/sup>&nbsp;was held up as the key line), and an uncharacteristically forthcoming Donald Fagen has similarly revealed that the &#8220;Rikki&#8221; in question was simply a woman he&#8217;d had a crush on in college [writer&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Ducornet\" target=\"_blank\" rel=\"noopener\">Rikki Ducornet<\/a>]. It says something about Steely Dan&#8217;s reputation as&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Obscurantism\" target=\"_blank\" rel=\"noopener\">obscurantists<\/a>&nbsp;that even a straightforward lost-love song like &#8220;Rikki Don&#8217;t Lose That Number&#8221; could be so widely over-interpreted. &#8230; It&#8217;s unsurprising that &#8220;Rikki Don&#8217;t Lose That Number&#8221; ended up becoming Steely Dan&#8217;s biggest commercial hit &#8230; as it&#8217;s one of the group&#8217;s most gentle and accessible songs.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-9\" target=\"_blank\" rel=\"noopener\">[8]<\/a><\/sup><\/p>\n<\/blockquote>\n\n\n\n<p><em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Billboard_(magazine)\" target=\"_blank\" rel=\"noopener\">Billboard<\/a><\/em>&nbsp;described it as a &#8220;catchy, almost tango-like tune.&#8221;<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-bb-10\" target=\"_blank\" rel=\"noopener\">[9]<\/a><\/sup>&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Cash_Box\" target=\"_blank\" rel=\"noopener\">Cash Box<\/a><\/em>&nbsp;said that the &#8220;strong accent on harmonies with keyboard and percussion dominating the musical end make for a very entertaining track.&#8221;<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-cb-11\" target=\"_blank\" rel=\"noopener\">[10]<\/a><\/sup>&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Record_World\" target=\"_blank\" rel=\"noopener\">Record World<\/a><\/em>&nbsp;said that the &#8220;salty Latin-ish sound is in an easy vein&#8221; and that the song was a &#8220;totally nifty number.&#8221;<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-rw-12\" target=\"_blank\" rel=\"noopener\">[11]<\/a><\/sup>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/John_Lennon\" target=\"_blank\" rel=\"noopener\">John Lennon<\/a>, in a 1974 interview discussing recent hit songs, said &#8220;I liked &#8220;Rikki Don&#8217;t Lose That Number,&#8221; that was a good commercial record.&#8221;<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number#cite_note-13\" target=\"_blank\" rel=\"noopener\">[12]<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Personnel\">Personnel<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Donald_Fagen\" target=\"_blank\" rel=\"noopener\">Donald Fagen<\/a>&nbsp;\u2013 lead and backing vocals<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Jeff_Baxter\" target=\"_blank\" rel=\"noopener\">Jeff Baxter<\/a>&nbsp;\u2013 electric guitar<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Dean_Parks\" target=\"_blank\" rel=\"noopener\">Dean Parks<\/a>&nbsp;\u2013 acoustic guitar<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Omartian\" target=\"_blank\" rel=\"noopener\">Michael Omartian<\/a>&nbsp;\u2013 piano<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Walter_Becker\" target=\"_blank\" rel=\"noopener\">Walter Becker<\/a>&nbsp;\u2013 bass guitar, backing vocals<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Jim_Gordon_(musician)\" target=\"_blank\" rel=\"noopener\">Jim Gordon<\/a>&nbsp;\u2013 drums<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Victor_Feldman\" target=\"_blank\" rel=\"noopener\">Victor Feldman<\/a>&nbsp;\u2013 percussion,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba\" target=\"_blank\" rel=\"noopener\">flapamba<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Timothy_B._Schmit\" target=\"_blank\" rel=\"noopener\">Timothy B. Schmit<\/a>&nbsp;\u2013 backing vocals<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"Technical\">Technical<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Gary_Katz\" target=\"_blank\" rel=\"noopener\">Gary Katz<\/a>&nbsp;\u2013 Producer<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Roger_Nichols_(recording_engineer)\" target=\"_blank\" rel=\"noopener\">Roger Nichols<\/a>&nbsp;\u2013 Engineer<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\" id=\"firstHeading\">Flapamba<\/h1>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td colspan=\"2\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Flapamba_(from_Emil_Richards_Collection).jpg\" target=\"_blank\" rel=\"noopener\"><\/a>Flapamba (from the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Emil_Richards_Collection\" target=\"_blank\" rel=\"noopener\">Emil Richards Collection<\/a>)<\/td><\/tr><tr><th colspan=\"2\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Percussion_instrument\" target=\"_blank\" rel=\"noopener\">Percussion instrument<\/a><\/th><\/tr><tr><th><a href=\"https:\/\/en.wikipedia.org\/wiki\/Musical_instrument_classification\" target=\"_blank\" rel=\"noopener\">Classification<\/a><\/th><td>Keyboard percussion<\/td><\/tr><tr><th><a href=\"https:\/\/en.wikipedia.org\/wiki\/Hornbostel%E2%80%93Sachs\" target=\"_blank\" rel=\"noopener\">Hornbostel\u2013Sachs classification<\/a><\/th><td>111.212<br>(Sets of percussion sticks)<\/td><\/tr><tr><th>Inventor(s)<\/th><td>Brent Seawell<\/td><\/tr><tr><th colspan=\"2\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/Range_(music)\" target=\"_blank\" rel=\"noopener\">Playing range<\/a><\/th><\/tr><tr><td colspan=\"2\">F<sub>2<\/sub>\u2013C<sub>4<\/sub>&nbsp;or C<sub>4<\/sub>\u2013C<sub>6<\/sub><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>The&nbsp;<strong>flapamba<\/strong>&nbsp;is a&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Musical_instrument\" target=\"_blank\" rel=\"noopener\">musical instrument<\/a>&nbsp;in the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Percussion_instrument\" target=\"_blank\" rel=\"noopener\">percussion<\/a>&nbsp;family. It consists of tuned wooden bars pinched on one side over the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Node_(physics)\" target=\"_blank\" rel=\"noopener\">node<\/a>&nbsp;and mounted over&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Resonator\" target=\"_blank\" rel=\"noopener\">resonator<\/a>&nbsp;boxes. Sliding the bars slightly forward or backward affects their tuning. Unlike the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Marimba\" target=\"_blank\" rel=\"noopener\">marimba<\/a>&nbsp;or&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Xylophone\" target=\"_blank\" rel=\"noopener\">xylophone<\/a>, the sound is not as focused tonally. It is a bit more percussive, sounding closer to tuned&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Slit_drum\" target=\"_blank\" rel=\"noopener\">log drums<\/a>.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-1\" target=\"_blank\" rel=\"noopener\">[1]<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"History\">History<\/h2>\n\n\n\n<p>The original flapamba was invented in the 1960s by Brent Seawell. Studio percussionist&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Emil_Richards\" target=\"_blank\" rel=\"noopener\">Emil Richards<\/a>&nbsp;later bought the flapamba from the Professional Drum Shop in Hollywood and added it to his instrument collection. Richards started using it in recording sessions and let other studios rent it out, leading to its inclusion in several film scores. To play it, he used either soft&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Percussion_mallet\" target=\"_blank\" rel=\"noopener\">mallets<\/a>&nbsp;or his fingers to get a warm, resonant sound. This original flapamba had a range from&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Middle_C\" target=\"_blank\" rel=\"noopener\">middle C<\/a>&nbsp;up two full octaves (from C<sub>4<\/sub>&nbsp;to C<sub>6<\/sub>&nbsp;in&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Scientific_pitch_notation\" target=\"_blank\" rel=\"noopener\">scientific pitch notation<\/a>).<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-2\" target=\"_blank\" rel=\"noopener\">[2]<\/a><\/sup><\/p>\n\n\n\n<p>In 2009, Richards decided to extend the lower range of the instrument. Specialty mallet craftsman Chris Banta made new bars spanning F<sub>2<\/sub>&nbsp;to C<sub>4<\/sub>&nbsp;and dubbed this the &#8220;bass flapamba&#8221;. He also replaced the bars on the original set to create a consistent sound between the two. Both sets combined have a range from F<sub>2<\/sub>&nbsp;to C<sub>6<\/sub>.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-3\" target=\"_blank\" rel=\"noopener\">[3]<\/a><\/sup><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Use\">Use<\/h2>\n\n\n\n<p>The flapamba can most often be heard in&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Film_score\" target=\"_blank\" rel=\"noopener\">film music<\/a>, such as on&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Giacchino\" target=\"_blank\" rel=\"noopener\">Michael Giacchino<\/a>&#8216;s soundtrack for&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Lost_(2004_TV_series)\" target=\"_blank\" rel=\"noopener\">Lost<\/a><\/em>.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-4\" target=\"_blank\" rel=\"noopener\">[4]<\/a><\/sup>&nbsp;Composer&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Elmer_Bernstein\" target=\"_blank\" rel=\"noopener\">Elmer Bernstein<\/a>&nbsp;used it on the soundtrack for&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/McQ\" target=\"_blank\" rel=\"noopener\">McQ<\/a><\/em>.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-5\" target=\"_blank\" rel=\"noopener\">[5]<\/a><\/sup>&nbsp;The beginning of the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Steely_Dan\" target=\"_blank\" rel=\"noopener\">Steely Dan<\/a>&nbsp;track &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Rikki_Don%27t_Lose_That_Number\" target=\"_blank\" rel=\"noopener\">Rikki Don&#8217;t Lose That Number<\/a>&#8221; features&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Victor_Feldman\" target=\"_blank\" rel=\"noopener\">Victor Feldman<\/a>&nbsp;playing the flapamba, although his contribution was cut from the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Single_(music)\" target=\"_blank\" rel=\"noopener\">single<\/a>&nbsp;version.<sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-6\" target=\"_blank\" rel=\"noopener\">[6]<\/a><\/sup><sup><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flapamba#cite_note-7\" target=\"_blank\" rel=\"noopener\">[7]<\/a><\/sup><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/CWeXOm49kE0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n<script>\nvar zbPregResult = '0';\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>This is my version of the old Steely Dan song &#8216;Rikki Don&#8217;t Lose That Number&#8217;. &#8220;Rikki Don&#8217;t Lose That Number&#8221; is a single released in 1974 by the American&nbsp;rock&nbsp;band&nbsp;Steely Dan&nbsp;and the opening track of their third album&nbsp;Pretzel Logic. It was the most successful single of the group&#8217;s career, peaking at number 4 on the&nbsp;Billboard&nbsp;Hot 100&nbsp;in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[35],"tags":[],"class_list":["post-7362","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/baselines.com\/index.php?rest_route=\/wp\/v2\/posts\/7362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baselines.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baselines.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baselines.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baselines.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7362"}],"version-history":[{"count":2,"href":"https:\/\/baselines.com\/index.php?rest_route=\/wp\/v2\/posts\/7362\/revisions"}],"predecessor-version":[{"id":7369,"href":"https:\/\/baselines.com\/index.php?rest_route=\/wp\/v2\/posts\/7362\/revisions\/7369"}],"wp:attachment":[{"href":"https:\/\/baselines.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baselines.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baselines.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}